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A world in motion is perceived by a moving viewer as if they were both not moving

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Colored Pencil on Black Paper
2019

One of the ways that we perceive shape is through seeing motion. Visual motion may be actively generated (for example, in locomotion), or passively observed. In the study of the perception of three-dimensional structure from motion, the non-moving, passive observer in an environment of moving rigid objects has been used as a substitute for an active observer moving in an environment of stationary objects; this ‘rigidity hypothesis’ has played a central role in computational and experimental studies of structure from motion. Here we show that this is not an adequate substitution because active and passive observers can perceive three-dimensional structure differently, despite experiencing the same visual stimulus: active observers’ perception of three-dimensional structure depends on extraretinal information about their own movements.


With a certificate of authenticity signed by the Artist.

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About the artwork


Artist
Pedro Ruxa
Medium
Drawing
Size
6 x 4.5 in (15.2 x 11.4 cm)
Location

Brussels, Belgium


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About the artist

Pedro Ruxa
"When I was a young boy I often had this feeling that reality was a fiction, like a permanent cinema screen with pictures scrolling, and that I was not able to take part in it. I felt like a passive spectator of my own life. Art has allowed me to take part in reality, to take a position, and to choose a point of view. The canvas is my cinema screen."

Pedro Ruxa

Born in 1993 in Lisbon, Portugal, Pedro Ruxa lives and works in Brussels, Belgium.

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